Pre-Delay Formula:
From: | To: |
Pre-delay is the time between the original dry sound and the onset of the reverb effect. It's crucial for maintaining clarity in mixes by allowing the initial transients to be heard before the reverb tail begins.
The calculator uses the pre-delay formula:
Where:
Explanation: The equation calculates the duration of a musical note at a given BPM, which can then be used to set the pre-delay time that's musically synchronized with your track.
Details: Proper pre-delay settings help maintain rhythmic clarity, prevent muddiness, and create a more natural spatial impression by simulating the time it takes for sound to reflect off surfaces in real spaces.
Tips: Enter your track's BPM and select the note value you want to sync the pre-delay to. Common choices are quarter notes (4) or eighth notes (8) depending on the desired effect.
Q1: What's a typical pre-delay setting?
A: For most musical applications, 20-80ms is common. For BPM-synced music, values calculated by this tool are often ideal.
Q2: Should pre-delay always be synced to BPM?
A: Not always - it depends on the desired effect. Synced pre-delay works well for rhythmic cohesion, while unsynced can sound more natural in some contexts.
Q3: What note value should I choose?
A: Quarter notes (4) are most common for standard sync, while eighth notes (8) create tighter effects. Experiment to see what works best for your track.
Q4: Does pre-delay affect reverb tail length?
A: No, pre-delay only affects when the reverb begins. Tail length is controlled by the reverb's decay time parameter.
Q5: Can I use this for delay effects too?
A: Yes! The same timing calculations apply to delay effects when you want them synchronized to your track's tempo.